The Business

Nicola Formichetti Pop-Up Store

Starworks Group handled all press surrounding Nicola Formichetti’s temporary concept store with BOFFO Building Fashion and Gage/Clemenceau Architects, which opened during New York Fashion Week. During the two weeks Nicola’s was open, Starworks Group hosted four events including the store’s opening day and press preview, the launch party with Thierry Mugler Parfums, an Emerging Chinese Designers’ Exhibition and a press preview of UNIQLO’s new line UNIQLO Innovation Project (for which Formichetti is the Fashion Director).

As the Creative Director of Thierry Mugler, Fashion Director to Lady Gaga, the Haus of Gaga, Uniqlo and Vogue Japan, as well as contributor to V Magazine, Dazed & Confused and Another Magazine, Formichetti has created some of the most memorable imagery, performances, and moments in recent pop culture history.

Under Formichetti’s direction, the 1300 square foot space was transformed into a mirrored prism. The store housed a collection of limited edition pieces available to purchase such as Thierry Mugler menswear and womenswear, Nicola’s iPhone cases, jewelry, candles, t-shirts and exclusive designs by emerging international designers. Nicola’s also featured installations from Formichetti’s past and present creations and collaborations.

 

Farewell, Hotel Chelsea

The day we hoped and prayed would never come has arrived.  The legendary Hotel Chelsea, which was officially purchased last week by real estate investor Joseph Chetrit, is being completely stripped of its history and character.

The hotel holds an unparalleled place in American pop culture myth: It was the site of the sexual encounter recalled in Leonard Cohen’s song, “Chelsea Hotel No. 2,” and of the murder of Sex Pistols member Sid Vicious’s girlfriend, Nancy.  William S. Burroughs wrote “Naked Lunch” at the Chelsea, and Jack Kerouac wrote “On the Road” there.  Dee Dee Ramone, Bob Dylan, Janis Joplin and Jimi Hendrix all spent long hours in one or another of its rooms.

Built in the 1880s, the building, which is legally designated as a landmark by the city, was converted into a hotel in 1905. Nearly 100 of its 250 rooms are occupied by permanent residents, many with roots in Manhattan’s downtown artistic scene.

One of those residents is longtime Friend Of Starworks, Gerald DeCock.  Gerald is an amazing hairstylist and painter whose penthouse apartment at the Chelsea was featured numerous times in the press, from W Magazine and Harper’s Bazaar to the New York Times and London Sunday Times Magazine.

We asked Gerald if we could feature his unique home on our blog for its last hurrah, so Dominic Vine snapped this for us over the weekend.  Click on the image to experience the full 360 degree view, and feel like you’re standing in this New York City legend one last time.

 

Rene Gruau Remembered

Rene Gruau was one of the most influential and admired fashion illustrators of the 20th century; alongside his friend Christian Dior he created a new ideal of feminine beauty. His signature style (think flat planes of colour and sweeping black lines) came to fruition after World War II signaling a return to optimism and oppulence. Now, The Fashion Illustration in Mayfair, London is showing a selection of Gruau’s drawings and paintings, created as covers for International Textiles magazine between 1946 and 1984. The bold, graphic works beautifully evoke the glamour of a by-gone era. Well worth admiring up close.

The exhibition runs until January 8th at The Mayor Gallery 22A Cork Street, London W1.

 

Steinmetz Yin Yang – the World’s Largest Pair of Identical Diamonds is unveiled in New York

Fashion pundits may well be predicting a rise in the sales of sapphires following Prince William’s choice of engagement ring for Kate Middleton, but diamonds will always have an irresistible allure. Should the future Princess Catherine be hankering after a stunning rock (or two) then His Royal Highness could always splash out and buy the Steinmetz Yin Yang – the World’s largest pair of identical cut diamonds – which were unveiled earlier today at the Guggenheim Museum during Bloomberg  Link’s Hedge Funds 2010 event.

The spectacular stones weigh 35.61 and 35.77 carats  respectively and were cut from two individual rough diamonds, each  initially weighing over 100 carats, which were discovered in Southern  Africa, and cut by Steinmetz, creators of the world’s finest diamonds.  The resulting gems are Flawless both internally and externally of the  highest colour D colour and are also Type IIa, a classification reserved  for less than 2% of diamonds in the world.

“More than a year  was spent by a team of Steinmetz craftsmen to finish the perfectly  matched pair of Round Brilliant cut stones” commented Nir Livnat,  Chairman of Steinmetz Diamonds, “We strive to have the rarest most beautiful diamonds available in the  marketplace.”

The historic diamonds are likely to be destined for the collection of a true  connoisseur. According to market specialists, these rare gems are likely  to value in excess of $25 million and are available for  sale through Sotheby’s Diamonds, the partnership between esteemed  auction house Sotheby’s and Steinmetz Diamonds. That’s supposing they aren’t bought a private client first; the Bloomberg  Link Hedge Fund event was attended by some 300 international financiers and investors who gathered to hear talks from influential industry figures. If one them wasn’t tempted to blow their bonus then we can’t think of a more perfect owner for these peerless stones than the future Queen of England. After all, nothing says I love you quite like a diamond.

 

Thrasher Magazine’s Next Hire, Perhaps?

Any lover of Montauk knows the famous DITCH WITCH at Ditch Plains Beach in the East Deck Motel parking lot. If you know the DITCH WITCH, then you know Grant Monahan, the quip-master surfer kid who’s grown up manning the family truck every summer with his mom, Lili.

I used to fear Grant. Even when he was like, 12 years old, I feared his wrath with all of my being. Most of the fear was because he is somewhat famously akin to THE SOUP NAZI. One false move and “NO FOOD FOR YOU!”
(Hint to visitors: 1) know what you want to eat before you step up to that window; And, 2) don’t even think about having your cell phone within 20 square feet of that truck)

Even though I spent the last ten summers as an East Decker, it wasn’t really until a few years ago that Grant, Lili and I had a breakthrough: THEY KNEW MY NAME. The skies parted and there were rainbows and unicorns (at least for me). We were officially friends.

This past summer was when I first I learned that Grant was not only a seasoned and competitive skateboarder, but he also spent much of his free time documenting the sport. I learned this when he told me he would be showing and selling his photographs for a local fundraiser in honor of the late Andy Kessler (also a Montauk surfer and skateboarder) and asked if I would come. I was so pleasantly surprised and asked Grant to show me some of his stuff.

Grant, now a sophomore at The College of Charleston, was just learning how to make his own prints from his family friend and famed Sports Illustrated photographer Walter Iooss, who you may or may not know is also a Montauk homeowner and avid surfer. Needlesstosay, I was sort of blown over by what Grant showed me. Capturing these guys in the air is something we have all seen before in professional photos in magazines. But there was such a raw energy here in Grant’s pictures that I was sure could only be found through the eyes of a fellow skateboarder. The pictures have so much texture and dimension and they evoke an energy that makes you feel like you are right there watching these guys. You can stare at each shot and you keep discovering something new…the graffiti, the landscape and hue of the sky, the weird bend of the athlete’s foot mid-air.

My favorite takeaway was that when I asked Grant if I could buy a photo (and I had chosen one I loved), he said “I can’t let you pay and I DEFINITELY can’t give you THAT one.” “Why not?” I asked. “What’s wrong with it?” He shook his head and said “he didn’t land that jump. I can’t give or sell or publish a picture where he didn’t land the jump. If he didn’t land it, the picture really isn’t real. It doesn’t mean anything.” I realized then that authenticity is the prevailing message of skateboarding. Not a bad thing to live by.

For any of you out there who have an interest in skateboard culture (I myself learned a little as a kid and have seen Stacy Peralta’s documentary DOGTOWN AND Z-BOYS at least six times), you can see all of Grant’s amazing pictures at www.flickr.com/photos/grantmontauk. If you become his friend next summer at the Ditch Witch, maybe he’ll even sign one for ya.